AnySelected

The annual Classic 100 countdown on ABC Classic FM is a beloved tradition in Australian music circles. This year's list, celebrating Australia's favourite classical music pieces, delivered a landmark moment: a record number of works composed by women, reaching an impressive 11 pieces from seven distinct composers. This isn't just a statistical anomaly; it's a powerful testament to the generations of Australian women who fought for their place in the traditionally male-dominated world of classical music, specifically in the realm of the piano.

For centuries, the piano was considered an instrument of refinement and domesticity, largely confined to the drawing rooms of affluent homes. While women were often encouraged to *play* the piano, composing – a far more challenging and public pursuit – was rarely considered a viable path. The societal expectations placed upon women, coupled with limited access to formal musical training and professional opportunities, created formidable barriers.

However, these obstacles didn't deter a remarkable group of Australian women. From the late 19th century onwards, figures like Margaret Calcott (1889-1976) began to carve out their own space. Calcott, a prolific composer, wrote over 300 works, including numerous piano pieces, sonatas, and chamber music compositions. Despite facing criticism and a lack of recognition during her lifetime, her music has experienced a resurgence in recent years, finally receiving the appreciation it deserves.

The story doesn't end with Calcott. Other pioneering women, such as Dulcie Holland (1893-1992), a significant figure in Australian music history, also made substantial contributions to piano repertoire. Holland’s work, often influenced by Australian landscapes and Indigenous music, offered a uniquely Australian voice in the classical world. And more recently, contemporary composers like Elena Kats-Chernin are captivating audiences with their innovative and evocative piano works.

This year’s Classic 100 highlights a crucial shift in perspective. It demonstrates a growing recognition of the invaluable contributions women have made – and continue to make – to classical music. The increased representation isn't just about ticking a box; it's about acknowledging the rich tapestry of musical talent that has been historically overlooked. It's a celebration of perseverance, creativity, and the enduring power of women to break down barriers and create beauty.

The inclusion of these female composers in the Classic 100 sends a powerful message to aspiring young musicians, particularly young women. It demonstrates that a career in classical music is accessible and rewarding, regardless of gender. It’s a chance to inspire a new generation to pick up the keys and compose their own stories, contributing to a more diverse and vibrant musical landscape for Australia.

So, as you listen to the Classic 100 this year, take a moment to appreciate the remarkable journey of these Australian women who dared to challenge the status quo and leave their indelible mark on the world of classical piano music. Their legacy continues to inspire and enrich our cultural heritage.